Meet your mentors
Francis Juarez
Francis Juarez is from Los Angeles and was raised in Madrid. His career spans more than two decades, producing and directing projects across Europe and the U.S.. Francis currently serves as a bilingual Director of Content at Music Audience Exchange - MAX.
Across his commercial work, Francis has helped create campaigns for major brands including The Home Depot and McDonald's, bringing an efficiency-first approach that still prioritizes strong storytelling. He’s also expanded into features, his first feature length debut as a film director was with Crazy Texas, and continues to push for cost-effective, high-impact production that leverages modern tools and technology. He’s also built a rare blend of creative + marketing leadership, with training that includes digital marketing studies at Southern Methodist University and film direction at ECAM. Linkedin.
E'an Verdugo
E’an Verdugo’s passion for filmmaking started early, picking up a camera in middle school to film skateboarding in Southern California, before evolving into a dedicated focus on visual storytelling and directing.
E’an is a writer/director who works across comedy, narrative, and commercial storytelling, with a style rooted in character, momentum, and clear visual intention. As a director with DHD Films, he’s known for bringing an energetic, collaborative atmosphere to set, and for using comedy as an “equalizer” that helps messages land with a wide range of audiences.
E’an directed Restorage, which earned the Episode's Grand Jury Prize at the Slamdance Film Festival (2024), reflecting his ability to blend heart, humor, and craft into festival-recognized work.Linkedin.
Caleb Davis
Caleb Davis’ lifelong fascination with cinema (including early Alfred Hitchcock marathons) and an ongoing love of studying film and TV shows up in how he builds suspense, tone, and visual clarity in his work. He is drawn to story-first filmmaking, especially cinematography, directing, and editing, and brings a detailed, collaborative mindset to every set and post workflow.
Caleb is a video producer and executive producer who leads projects across the full production pipeline, from creative development and strategy through production and post. He’s worked on educational content for the Garland Independent School District to narrative productions for Pine Cove. Also, a Video Producer with The Igniter Company and a producer for several feature films.
Caleb holds a B.A. in Radio, Television, and Film from the University of North Texas.
Tyler Corie
Tyler Corie dual perspective as a designer and performer, helps him collaborate seamlessly with directors, cinematographers, and talent, creating spaces that support performance while staying efficient on set. He’s a rare blend of hands-on production design leadership and on-camera experience. Someone who can elevate the look of a project while keeping it grounded, practical, and shoot-ready.
As a Production Designer and Art Director who builds story worlds for film and brand work, shaping sets, props, textures, and the overall visual language so every frame feels intentional and lived-in. His credits include Production Design on Warhorse One and Art Direction on South of Heaven, bringing practical craft and strong taste to projects that demand both realism and cinematic punch. He’s also applied that same design sensibility to commercial campaigns, including work tied to Toyota, and a producer of several feature films.
In addition to his behind-the-camera work, Tyler is also an actor with credits that include Beyond the Farthest Star.
Our Mission?
Dallas Film Workshop exists to turn passion into practical skill. We teach the tricks of the trade through hands-on sessions, real productions, and case studies from working professionals, so filmmakers can create stronger work, build lasting relationships, and grow faster together. than they ever could alone. This isn’t just a class; it’s a community built around doing the work side-by-side, learning from each other’s wins and mistakes, and building the confidence that comes from real reps. Over the next XX weeks, every Saturday from 8 am–12 pm, we will break down what actually happens on set and in post. Practice in a supportive environment, where actionable feedback is formed while simultaneously building on technique.
We want every member to leave with sharper skills, a stronger network, and the momentum to keep creating, because the best filmmakers don’t grow in isolation; they grow with a team. If a picture is worth more than a thousand words, check out this photo. Click Here:
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On Set
Here are some of our favorite moments “while” on set
